Here’s one of the images taken with the Vermeer Pinhole Camera this month. A view of the docks on a nearby lake.
This is Kodak Tri-X 400 film, 120 size. Pinhole images have that dreamy feel to them, as they’re not quite sharp. This one was made around dawn. More to follow.
Boxes of Kodak’s venerable Tri-X 320 in 4×5 arrived recently. It’s time to load this film into the holders and get out with the Wista SP for some large format photography.
It’s been a long time since I’ve made images with this gear. Results to follow, subject to change, and always something of a surprise. Will post as things develop.
I exposed some TMax 3200 recently. Came out okay. I need to sharpen my eye, but the film itself works very well at night. Of course, it’s grainy, that’s the point. Nonetheless, I like the look.
This exposure was scanned and tweaked in Lightroom. Again, came out okay, but needs a better perspective.
Way back in 2002, I was taking photographs with a marvelous Hasselblad 202FA equipped with an equally impressive Zeiss lens. I got lucky late one afternoon when this scene evolved in a rail yard at sunset:
Ektachrom V100S captured the moment in stunning color, exactly as it was. There is no “photoshop” work done on this photo; it was simply scanned from the original slide. I miss that Ektachrome and the camera. Sometimes the results astounded me.
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