Here’s one of the images taken with the Vermeer Pinhole Camera this month. A view of the docks on a nearby lake.
This is Kodak Tri-X 400 film, 120 size. Pinhole images have that dreamy feel to them, as they’re not quite sharp. This one was made around dawn. More to follow.
Boxes of Kodak’s venerable Tri-X 320 in 4×5 arrived recently. It’s time to load this film into the holders and get out with the Wista SP for some large format photography.
It’s been a long time since I’ve made images with this gear. Results to follow, subject to change, and always something of a surprise. Will post as things develop.
I exposed some TMax 3200 recently. Came out okay. I need to sharpen my eye, but the film itself works very well at night. Of course, it’s grainy, that’s the point. Nonetheless, I like the look.
This exposure was scanned and tweaked in Lightroom. Again, came out okay, but needs a better perspective.
While roaming about Venice, Italy, I found some relics from the bast that were particularly applicable to my own likes. One was the old Coca-Cola cooler:
It was part of a retail display and not actually in use. I’d wager it still worked. Then there was the sign for Kodak, from back in the days of film:
I went through many, many rolls of Kodak film. From Tri-X and Pan-X black and white to Ektachrome positive film in large format. Always good stuff.
The Bent Page 
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