Brilliant Photography

Regular readers of this blog will know that I’ve mentioned a few great photographers. I also post those old-time panoramic shots. Well, I came across this fellow Arnaud Frich. His website is www.arnaudfrichphoto.com. His photography is brilliant, both literally and figuratively.

In the first place, he photographs cathedrals, palaces, and open spaces with stunning clarity. His perspectives are interesting and insightful. He used panoramic cameras as well as others and the work shown on his website is consistently impressive. I particularly enjoyed his church interiors. He captures the weight and light of these structures as well as the sense of place that they impose upon the visitor. This is a photographic challenge few practioners of the craft are capable of achieving.

So pay his sight a visit. I’m sure you will be impressed.

Published in: on October 5, 2008 at 3:08 pm  Leave a Comment  
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A Sense of Perspective

Times like these require a sense of perspective. On a lighter note, let’s talk about some artful perspective as seen at Rockefeller Center, New York City. For years, I’ve been looking up at this painting, which is on the ceiling of the main lobby.

The painter brilliantly used shadows on both sides so that no matter where you stand, it appears that you are looking up into the funnel. The figure holding the massive scales seems to shift his weight from one leg to the other as you walk across the lobby. Those taking a tour of NBC or Rockefeller Center are given an explanation of this. I always take guests to see it and the other paintings that are found of the walls in this area.

So, when things are going crazy, don’t forget that they’ve been crazy before and keep looking up. You never know what you’ll see.

Published in: on October 3, 2008 at 2:08 pm  Leave a Comment  
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Neal Stephenson Takes The Long Road

Neal Stephenson writes long, very long, books. And that’s how I like them. I’ve read his Baroque Cycle as he calls his three books that begin with Quicksilver, continue with The Confusion, and wind up with The System of the World. Each of these books runs beyond 800 pages, giving the reader plenty of words for the cover price.

What I enjoy about Stephenson’s books is the integration of historical events and characters with the fictional ones. He weaves these two seamlessly, supporting them with facts, so that in the end its one giant story about the world. While not all of it is true, it could have been. I prefer this to science fiction or fantasy books, neither of which have I been able to get through. (Exception: Jules Verne) Furthermore, Stephenson is not afraid to take detours to flesh out the context of the action. Too many books I read today drop the reader in from space without a decent explanation of the setting. The writer expects the reader to know what 1950’s Dublin is all about, or what’s going on in terms of present-day European skullduggery, or how religious practices of some distant tribe create social mores. Sorry, I have quite a diversity and depth of knowledge, but it is your job, dear writer, to create the world of your story for me to read. If that takes a few more pages, please, indulge me. After all, I didn’t pay the cover price to read a magazine article.

Yes, that was criticism in the previous paragraph. Some critics have lambasted Stephenson for not editing or condensing his work. My humble opinion is that he should leave it the way it is or add more. I mentioned his work in an early post about the “brevity cult” (his term). Well, the “brevity cult” is alive and well in this era of attention deficit disorder. However, just because some people can’t stay focused doesn’t mean the rest of us should be short changed. Good characters and enthralling plots don’t bog down in long books; they engage the reader, giving him solid footing to travel along the novel’s journey.

So, Neal Stephenson takes the long road. I’m right there with him.

Published in: on October 2, 2008 at 12:16 pm  Leave a Comment  
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The Summing Up

W. Somerset Maugham wrote a great book titled, The Summing Up. It is a biography of sorts in that it’s about himself and his philosophy and experience writing books and plays. Reading this book is like having one long conversation with a person of diverse experience and knowledge. In fact, I recommend a glass of whiskey while you’re enjoying the text, just to properly set the mood.

Maugham started life in odd circumstances, having been raised by an uncle in France but then going to England where he became a physician. This training and his early experiences in poor hospitals provided him with material for Liza of Lambeth. He took up writing full time and became quite a sensation in both the theatre and the world of publishing. At one point he had several plays onstage simultaneously.

What I enjoyed most about Maugham’s reflection on life was the honesty. He takes a hard look at his own desires, how they played out, and how they became something other than he expected. He doesn’t simply make a list of accomplishments or brag about them. He delves into the background, motivation, and even into how some of them were interpreted by the public and critics.

I’m not sure how popular his works are these days. I know that The Painted Veil was made into a movie recently. It was a good attempt but lacked the depth that the book contains. That book contains some of the best character development I’ve read, presenting all the subtleties and contradictions inherent in people. His other works, including Cakes and Ale, will probably seem dated and therefore quaint to today’s readers. But they’re worth a look as the stories tend to be timeless.

Published in: on October 1, 2008 at 7:27 pm  Leave a Comment  
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