The Way to Go

The cleverness of cats should never be underestimated. As the old joke goes, the ancient Egyptians worships cats, and cats have never forgotten it. I’m not sure what other animal can make this claim to fame. There I was in Cuenca, Spain, looking for a little place to eat, when I spotted this cat. I figured he was on his way to a snack or a nap. (Two things I also happen to enjoy, usually in that order.)

My gray and white short haired friend got to the top of the stairs, hung a left, and leaped into an open window! Brilliant for him but I was clearly not invited. As for me, well, I was on my own. Luckily, just down the lane was a narrow restaurant I might never have found. (You see, that was the cat’s plan, to show me the way and leave the bill to my account.) It turned out to be a good place to practice Spanish for this native English speaker. The waiter asked me a dozen questions, everything from where I was from to why had I come to Cuenca to where I was going next. He was an affable fellow. Like so many Spaniards I meet in my travels, he was intensely proud of his culture and immediate family.

After the meal I was back on the streets, looking for more interesting things, keeping a sharp eye for cats and other sneaky creatures.

Published in: on June 27, 2008 at 11:54 am  Comments (1)  
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Tugboat Anatomy, Part III

This will be the final installment for Tugboat Anatomy. At least for now. It’s time for a look at living aboard a tug. The High Roller works around the Philadelphia Harbor with a crew of five. On long, ocean tows, she would carry seven and sometimes as many as ten men.

Here’s where they sleep.

This is a typical bunkroom for the crew. Two bunks, two lockers, one porthole and a few shelves. The captain has his own suite just behind the wheelhouse. There are two bunks in there with a sink. The rest of the crew doesn’t get a sink, except for the one in the head. The head on the High Roller has two showers, two sinks, two toilets. There’s also a washing machine for laundry.

And here’s the galley.

The galley spans the boat from one side to the other. Out of the frame is a large refrigerator and freezer. The table on the left faces a bench that seats four. Notice the racks above the sink, designed to keep plates and cups from flying during rough weather. This boat has the galley at the stern, which encourages the crew to check the engine room every time they pass from the bunk area to get something to eat. You can never check the engine room too much.

Here’s a look at the engine room, facing forward. The main engines are right and left, with the electrical distribution panel directly ahead. Electricity is provided by two separate diesel driven generators which make enough power for about four typical houses.

Another look at a main engine, in this case a Caterpiller D399 of 16 cylinders, developing 1,200 horsepower.

That engine uses tons of fuel. Literally. The High Roller carries more than 20,000 gallons of fuel. Do the math at today’s prices. (Hey, put it on your credit card and get the frequent flier miles.) Anyway, that engine is connected to a clutch and reduction gear that looks like this:

That’s a little bigger than the tranny in your old Camaro. When one of these gears lets go, it makes a hell of a racket and costs a fortune and ruins your whole week.

Again, notice there isn’t much space to live and work on a tugboat. Most things have the aroma of diesel or fresh paint. If two guys aren’t getting along, there’s no where to hide. I knew one captain who used to take two feuding men and toss them into the smallest room on the boat. They weren’t to come out until whatever they were arguing about was settled. If not, he’d go in there with them and settle it himself. Furthermore, things have to be maintained and repaired while underway. Spare parts are carried on the boat. Except in the case of a major breakdown, the work continues, the solutions implemented and improvised by those aboard.

In An Island Away, the reader gets some of the back story of Nathan Beck. He started working on launches and small tugs as a teenager then worked his way up to captain. This experience helped to shape his outlook on the world and turned him into the man the reader meets in the novel. I hope this post augments the narrative and puts a few pictures to the words.

Published in: on June 26, 2008 at 10:55 pm  Leave a Comment  
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Tugboat Anatomy, Part II

Having seen some of the basics, let’s stop on deck for a few minutes to talk about what goes on there. Here is a photo of the foredeck, directly below the front of the wheelhouse.

The H bit is used to make lines fast. They can be led through the bull ring at the very bow of the boat or off to either side through the single bits that stand against the gunwale. The ropes lying there will be tidied up. Harry’s crew was sorting through things, figuring out what’s good and what’s not, otherwise they would be hanging on pegs or stowed in lockers. The work of a deckhand is truly the case of hurry up and wait. He has to be ready to catch a line, toss one to someone else, or loose one at the command of the captain. The lines aren’t heavy until you’ve hauled them around for a couple of hours straight or pulled with all your might to get that last turn around a bit. (Well, actually they are quite heavy but you don’t notice that right away.) You also have to know when to let go. If you hold onto the line and it starts to run, it will pull you through the bit, twisting your arm and whatever other body part follows through the bit. This is not pretty and you’ll be lucky if you only go to the hospital.

Here’s a look at the stern deck.

Surprise! There stands another H bit. Beside it, painted red, white, and blue, is the capstan. This capstan is hydraulically powered. It is used to wind in the towing rope, which the deck hands must then “flake” or lay out in a neat pile atop a pallet that would normally be here, but was taken up to allow for painting of the deck. That rope which is used to tow barges is called a hawser and the High Roller carries one that’s more than a thousand feet long. It is slowly let out through the stern H bit until the captain thinks he has enough out to allow for safe towing. Then it is made fast as describe earlier. The hawser takes up the shock created by the difference in movement between the tug and the barge (or whatever else is being towed). One vessel may be riding up a wave while the other is on its way down. The hawser stretches between the two. It also moves from side to side and you don’t want to get caught between it and the gunwale or a bit or anything else. It will crush you. Again, a good deckhand has to anticipate what’s going to happen, be ready, and act accordingly.

Here’s a view over the stern.

That steel fixture in the middle is called a cleat. You can tie off to that or use it to lead a rope, again depending on the operation. When this photo was taken, the boat was sitting in the Delaware River, so there isn’t much to see. Often times you’ll be looking at a ship coming up from astern or a sunset or a lighthouse, all of which have their own drama.

My character, Nathan Beck, and his crew do the jobs I described here. An Island Away is not a sailing adventure, but there are a few scenes which take place aboard tugboats, including one dramatic event in the Delaware River when another tug catches on fire. Beck and his men have to jump into the fray in order to rescue the other guys on the river. One thing I’d like the reader to take away from these photos is the compactness of the space on deck. There isn’t much room to do anything. Thus, everyone has to work together. One person out of synch creates a big problem that may be dangerous or make for back breaking extra work. However, when a crew works together, it is a choreographed operation that’s a thrill to be a part of. Remember, these objects are big an heavy. The High Roller weighs hundreds of tons. The barges it tows and pushes weigh thousands of tons. Ships weigh tens of thousands of tons. It is this type of work, and more importantly this type of responsibility for other men’s lives and equipment, that forms the character who is Captain Nathan Beck.

In Part III, we’ll go inside to see the engine room and living quarters. Want a job?

Published in: on June 26, 2008 at 4:14 pm  Comments (2)  
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Time To Reload!

Time to reload the fountain pen. These photos aren’t the greatest, and I apologize in advance to my friends who are into fountain pens in a big way. (Their photographs are professional quality.) Anyway, I wanted to give a brief glimpse of the process by which ink is drawn into the pen, especially for my readers who asked about my writing habits.

You start out with the ink, in this case it is from Mont Blanc and comes in this cleverly shaped bottle.

The bottle allows you to keep more ink on the well side so that you can always immerse the nib in enough ink to draw it into the pen. The end of the pen turns. By turning it, you move a plunger inside the body of the pen. Before getting into the ink, the plunger is screwed down so that it is closest to the nib end of the pen. The next step:

Note the introduction of the paper towels beneath the well. This is for emergency purposes only, such as when your cat decides to get nosy. The pen is lowered into the well until the nib is completely surrounded by ink. Then the back of the pen is turned in the opposite direction, which causes the plunger to retract, thereby drawing ink into the pen. One more time, the end is turned, this time to force a few drops out. Then the pen is turned with the nib up and the end is turned for the last time to draw a bit of air in. After wiping off any excess ink, you’re ready to write.

To some this may seem like a ridiculous procedure that has long been replaced by the convenience of ball point devices. All I can say is, “To each his own.” I write with these pens all day, day after day. They work perfectly, with less drag than any other I’ve tried. Therefore, until something comes along that’s better, I’ll stick with this. What’s your favorite writing implement? Let me know.

As you can see from the last photo, I’m working on Under A Blue Flag, which is the sequel to An Island Away. Writing a sequel is an opportunity to continue with characters that have room to grow. At the same time, the plot has more twists and turns to iron out. Where did Captain Beck go? What’s going to happen to Hernán? What about Charlie and Luz? These questions and more will be answered. Similarly, I’ve outlined a book titled In Dangerous Company, that in story time comes between An Island Away and Under A Blue Flag. It focuses in on just a few characters and the specifics of their adventures.

Writing is never a linear process for me. I’ll bounce back and forth from one story to another or one section of a single story to another. Stitching it all together is a challenge, sometimes better performed by an editor than the author. We’ll get into that later.

So, I have plenty of material to work with. Time to get back to work.

Published in: on June 25, 2008 at 8:26 pm  Comments (1)  
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