Criminal Investigation, book review

Criminal Investigation by Karen Hess is a textbook used in criminology courses throughout the USA. I studied this book carefully as part of my research for writing one of my novels. The book is a thorough primer on the subject, starting with the basics and going all the way through to advanced techniques. Here’s my video review.

What I found most useful about this book was it’s organization. Without realizing it, I learned a bit about order and structure in the course of an investigation that applies to other areas of life, including writing a novel. Not that I always follow proper or even a logical procedure because part of writing is organic, taking its own course as it moves along. Nonetheless, a bit of formality improves the likelihood of success and I’m pleased to have received a tune-up in this area. So, if you’re someone who loves detective stories or just wants to have a look at the way a criminal investigation should be done, give this book a try.

Up Close and Personal

In Clandestine, James Ellroy takes the reader inside the world of one ambitious cop. Fred Underhill is a young LAPD officer who cleverly dodged service in World War II and makes no bones about his desire to climb the rungs of the police department. He finagles and manipulates, breaks the law and justifies his actions, all in a quest to advance his career. His foibles are many, including an early penchant to pursue women for one night stands and a desire to maintain his golf game.

One of Underhill’s female conquests turns up dead and he notices a pattern in this and another murder. At this point the fuse is lit. Underhill goes beyond the law to catch a killer. In the process, he falls for an assistant district attorney, Lorna, who looms large in everything he does. He also encounters a future James Ellroy larger than life but entirely believeable character: Dudley Smith. Smith and his crew co-opt Underhill, leading him down the road of self-destruction at full speed. Underhill soon implodes as his case evaporates based on new evidence. He subsequently loses Lorna but never his desire to solve the case. Toward the end, the story goes on a rambling quest half way across the USA as Underhill, the crusader turned knight errant, redeems himself by ultimately catching the killer.

Where Clandestine excels is in the vividness of the characters. Underhill, his early partner, his commanding officer, his lovers, and his golf partners, all of them are drawn with the skill of a master. James Ellroy pulls no punches, dilutes no dialog, and reveals everything raw in the course of this story. At times, the emotionally intensity may seem overwrought, but the setting is 1950’s LA, a place where the bloom was off the rose and the thorns sharper than ever. Read, enjoy, and contemplate why other authors don’t measure up, especially the recent slew of flat, thinly worded mystery/thrillers that lack any measure of proper development. Ellroy is a master of the genre. This early example of his work proves the point.

Hard Knocks Down Under

The Broken Shore is the first Peter Temple book I’ve read. It features Joe Cashin, a detective haunted by a splintered family, nagging injuries, and his own questions about justice under the law. The story begins with the attack and subsequent death/murder of a wealthy local man. As Cashin is on and off the case, societal tensions are exposed as well as old wounds in his own personal history. The story careens around odd corners and meanders through Cashin’s past and present, revealing the details about a place where the friction is no longer under the surface. I would have preferred a bit more plot and a bit less interdiction for family heartstrings.

Much has been made about Temple’s writing style. It does have a staccato beat, which at times can be distracting. Chapter endings are a bit like stepping off a cliff. His sparse dialog may leave you guessing sometimes, too. However, he does paint the picture of a portion of Australia many American readers may not know. I’m going read another of his books because this installment has piqued my curiosity.

Published in: on June 23, 2011 at 3:03 pm  Leave a Comment  
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A Word From Jack London

“Don’t loaf and invite inspiration; light out after it with a club.” So said Jack London, one of my favorite writers and a man who wrote 50 books before dying at the ripe age of 40.

One of my favorite London books is The Sea Wolf, a magnificent study of human nature, the limits of endurance, and the will to survive, all of which were typical subjects for London. I don’t know if books like this are taught these days. It’s a shame if they aren’t, and I highly recommend this and the others for their powerful portrayals of man’s ability to overcome. Too often in modern writing, failure is laudable, chicanery portrayed as wisdom, and competence derided as arrogance. This attitude is nonsense peddled by the feel-gooders who lack the honesty to recognize nothing improves without the sting of failure as a guide to what doesn’t work. Then again, that class of parasites doesn’t mind if nothing improves as they usually have a cushy seat under their posterior.

I would like to give credit once again to Jack London for producing books that influenced my own writing. In particular, readers will see a bit of the London archetype in Tommy Bonk, the lead character in my novel, Bonk’s Bar. There’s also Nathan Beck, in An Island Away. As London said, I sought out inspiration, not with a club mind you, but voraciously read excellent books of his and others, studying the techniques employed to tell a story. While classroom instruction with fine teachers provided a foundation and valuable feedback for my early efforts, nothing assisted me more in the process than carefully analyzing well-written books. I highly recommend it for anyone considering taking the plunge with pen and paper.

Published in: on June 18, 2011 at 1:41 pm  Leave a Comment  
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