The Bent Page

James Ellroy began his career writing detective fiction. His “LA Quartet” series is perhaps the best well known and includes The Black Dahlia, The Big Nowhere, LA Confidential, and White Jazz. The first book by Ellroy that I read was The Big Nowhere. This book hooked me on Ellroy’s writing. His work is not pretty, nor is it neat the way some crime fiction is. In fact, the mess of Los Angeles corruption is Ellroy’s fodder. He chews it up and spits it out like no other writer I know. His characters stand head and shoulders above the lame, hand-wringing ninnies of some series. He’s not afraid to have bad cops do good things, evil politicians stoop lower than a snake in the sand, and civilians get whacked in the cross fire. The plots are more convoluted than the frieze on a Hindu temple, and yet as believable as the reality they reflect.

But (and there’s always a ‘but’ in these posts of mine) Ellroy’s work grew beyond detective fiction to include a book that stands out among my top five books of all time, and that would be AMERICAN TABLOID. I put it in all capitals because this book will not only make the hair on the back of your neck stand up, it’ll cause you to break into a cold sweat and the occasional shaking fit. This one takes place in the run up to and aftermath of the Cuban Revolution. It features real-life characters salted in among two CIA agents gone off the reservation. One is Kemper Boyd. The other is Ward Little. These guys are on a collision course with history and each other, not to mention J. Edgar Hoover, Joe Kennedy, Sam Giancana, and a few movie stars in between. Ellroy winds his plot through the minefield of historical drama, giving the reader almost no rest between crooked and kinky deals that ultimately bring Boyd and Little face to face with what they’ve done.

Over the years, Ellroy’s style has evolved into a clipped, almost machine gun fire blitz of language. At times this can wear on me. Nonetheless, I think he is one of America’s great writers in this field. He holds nothing back and that’s what impresses me the most in an age of politically correct sterilization.